SB 10.45.35

SB 10.45.35

Devanagari

सर्वं नरवरश्रेष्ठौ सर्वविद्याप्रवर्तकौ । सकृन्निगदमात्रेण तौ सञ्जगृहतुर्नृप ॥ ३५ ॥ अहोरात्रैश्चतु:षष्‍ट्या संयत्तौ तावती: कला: । गुरुदक्षिणयाचार्यं छन्दयामासतुर्नृप ॥ ३६ ॥

Verse text

sarvaṁ nara-vara-śreṣṭhau sarva-vidyā-pravartakau sakṛn nigada-mātreṇa tau saṣjagṛhatur nṛpa aho-rātraiś catuḥ-ṣaṣṭyā saṁyattau tāvatīḥ kalāḥ guru-dakṣiṇayācāryaṁ chandayām āsatur nṛpa

Synonyms

sarvam everything ; nara vara — of first-class men ; śreṣṭhau the best ; sarva of all ; vidyā branches of knowledge ; pravartakau the initiators ; sakṛt once ; nigada being related ; mātreṇa simply ; tau They ; saṣjagṛhatuḥ fully assimilated ; nṛpa O King (Parīkṣit) ; ahaḥ in days ; rātraiḥ and nights ; catuḥ ṣaṣṭyā — sixty-four ; saṁyattau fixed in concentration ; tāvatīḥ that many ; kalāḥ arts ; guru dakṣiṇayā — with the traditional gift for the spiritual master before one leaves him ; ācāryam Their teacher ; chandayām āsatuḥ They satisfied ; nṛpa O King .

Translation

O King, those best of persons, Kṛṣṇa and Balarāma, being Themselves the original promulgators of all varieties of knowledge, could immediately assimilate each and every subject after hearing it explained just once. Thus with fixed concentration They learned the sixty-four arts and skills in as many days and nights. Thereafter, O King, They satisfied Their spiritual master by offering him guru-dakṣiṇā.

Translation (Visvanatha Cakravarti Thakura)

O King, those best of persons, Kṛṣṇa and Balarāma, being Themselves the original promulgators of all varieties of knowledge, could immediately assimilate each and every subject after hearing it explained just once. Thus with fixed concentration They learned the sixty-four arts and skills in as many days and nights. Thereafter, O King, They satisfied Their spiritual master by offering him guru-dakṣiṇā. KB 10.45.35-36 After hearing only once from Their teacher, Kṛṣṇa and Balarāma learned all the arts and sciences. In sixty-four days and sixty-four nights, They learned all the necessary arts and sciences required in human society. During the daytime They took lessons on a subject from the teacher, and by nightfall They were expert in that department of knowledge. First of all They learned how to sing, how to compose songs and how to recognize the different tunes; They learned the favorable and unfavorable accents and meters, how to sing different kinds of rhythms and melodies, and how to follow them by beating different kinds of drums. They learned how to dance to the rhythm of melody and different songs. They learned how to write dramas, and They learned the various types of painting, from simple village arts up to the highest perfectional stage. They also learned how to paint tilaka on the face by making different kinds of dots on the forehead and cheeks. Then They learned the art of making paintings on the floor with a liquid paste of rice and flour; such paintings are very popular at auspicious ceremonies performed at household affairs or in the temple. They learned how to make a resting place with flowers and how to decorate clothing and limbs with colorful paintings. They also learned how to set valuable jewels in ornaments. They learned the art of ringing waterpots. Waterpots are filled with water to a certain measurement so that as one beats on the pots, different tones are produced, and when the pots are beaten together they produce a melodious sound. They also learned how to splash water in the rivers or lakes while taking a bath among friends. They learned how to decorate with flowers. This art of decorating can still be seen in various temples of Vṛndāvana during the summer season. It is called phula-bāḍi. The dais, the throne, the walls and the ceiling are all fully decorated, and a small, aromatic fountain of flowers is fixed in the center. Because of these floral decorations, the people, fatigued from the heat of the summer, become refreshed. Kṛṣṇa and Balarāma learned the art of dressing hair in various styles and fixing a helmet in different positions on the head. They also learned how to set up a theatrical stage, how to decorate dramatic actors with costumes and with flower ornaments over the ear, and how to sprinkle sandalwood pulp and water to produce a nice fragrance. They also learned the art of performing magical feats. Within the magical field there is an art called bahu-rūpī, by which a person dresses himself in such a way that when he approaches a friend he cannot be recognized. Kṛṣṇa and Balarāma also learned how to make various syrups and beverages required at various times, having various tastes and intoxicating effects. They also learned different types of sewing and embroidery work, as well as how to manipulate thin threads for dancing puppets. This art includes how to string wires on musical instruments, such as the vīṇā, sitar, esarāja and tamboura, to produce melodious sounds. Then They learned how to make and solve riddles. They learned the art of how even a dull student can very quickly learn the alphabet and read books. Then They learned how to rehearse and act out a drama. They also studied the art of solving crossword puzzles, filling up the missing spaces and making complete words. They also learned how to draw and read pictographic literature. In some countries in the world, pictographic literature is still current. A story is represented by pictures; for instance, a man and house are pictured to represent a man going home. Kṛṣṇa and Balarāma also learned the art of architecture—how to construct residential buildings. They learned to recognize valuable jewels by studying their luster and colors. Then They learned the art of placing jewels in a gold and silver setting so that they look very beautiful. They also learned how to study soil to find minerals. This study of soil is now a greatly specialized science, but formerly it was common knowledge even for the ordinary man. They learned to study herbs and plants to discover how they would act as medicine for different ailments. By studying the different species of plants, They learned how to crossbreed plants and trees and get different types of fruits. They learned how to train and engage rams and cocks in fighting for sport. They then learned how to teach parrots to speak and to answer the questions of human beings. They learned practical psychology—how to influence another’s mind and thus induce another to act according to one’s own desire. Sometimes this is called hypnotism. They learned how to wash hair, dye it different colors and curl it in different ways. They learned the art of telling what is written in someone’s book without actually seeing it. They learned to tell what is contained in another’s fist. Sometimes children imitate this art, although not very accurately. One child keeps something within his fist and asks his friend, “Can you tell what is within?” and the friend gives some suggestion, although he actually cannot tell. But there is an art by which one can understand and actually tell what is held within the fist. Kṛṣṇa and Balarāma learned how to speak and understand the languages of various countries. Not only did They learn the languages of human beings; Kṛṣṇa could also speak even with animals and birds. Evidence of this is found in the Vaiṣṇava literature compiled by the Gosvāmīs. Then They learned how to make carriages and airplanes from flowers. It is said in the Rāmāyaṇa that after defeating Rāvaṇa, Rāmacandra was carried from Laṅkā to Bhārata-varṣa on a plane of flowers, called a puṣpa-ratha. Kṛṣṇa and Balarāma then learned the art of foretelling events by seeing signs. In a book called Khanara-vacana, the various types of signs and omens are described. If when one is going out one sees someone with a bucket full of water, that is a very good sign. But if one sees someone with an empty bucket, it is not a good sign. Similarly, if one sees a cow being milked alongside its calf, it is a good sign. The result of understanding these signs is that one can foretell events, and Kṛṣṇa and Balarāma learned the science. They also learned the art of composing mātṛkā. A mātṛkā is like a crossword box, with three numbers in each row. If one adds any three from any side, it will come to nine. The mātṛkās are of different kinds and for different purposes. Kṛṣṇa and Balarāma learned the art of cutting valuable stones such as diamonds, and They also learned the art of questioning and answering by immediately composing poetry within the mind. They learned the science of the action and reaction of physical combinations and permutations. They learned the art of a psychiatrist, who can understand the psychic movements of another person. They learned how to satisfy one’s desires. Desires are very difficult to fulfill; but if one desires something which is unreasonable and can never be fulfilled, the desire can be subdued and satisfied, and that is an art. By this art one can also subdue sex impulses when they are aroused, as they are even in brahmacārī life. By this art one can make even an enemy one’s friend or transfer the direct action of a physical element to other things. Lord Kṛṣṇa and Balarāma, the reservoir of all knowledge, exhibited Their perfect understanding of all the arts and sciences mentioned above. Then They offered to serve Their teacher by awarding him anything he desired. This offering by the student to the teacher or spiritual master is called guru-dakṣiṇā. It is essential that a student satisfy the teacher in return for any learning received, either material or spiritual.

Purport

The following list comprises the sixty-four subjects mastered by Lord Kṛṣṇa and Lord Balarāma in sixty-four days. Additional information may be found in Śrīla Prabhupāda’s Kṛṣṇa, the Supreme Personality of Godhead. The Lords learned (1) gītam, singing; (2) vādyam, playing on musical instruments; (3) nṛtyam, dancing; (4) nāṭyam, drama; (5) ālekhyam, painting; (6) viśeṣaka-cchedyam, painting the face and body with colored unguents and cosmetics; (7) taṇḍula-kusuma-bali-vikārāḥ, preparing auspicious designs on the floor with rice and flowers; (8) puṣpāstaraṇam, making a bed of flowers; (9) daśana-vasanāṅga-rāgāḥ, coloring one’s teeth, clothes and limbs; (10) maṇi-bhūmikā-karma, inlaying a floor with jewels; (11) śayyā-racanam, covering a bed; (12) udaka-vādyam, ringing waterpots; (13) udaka-ghātaḥ, splashing with water; (14) citra-yogāḥ, mixing colors; (15) mālya-grathana-vikalpāḥ, preparing wreaths; (16) śekharāpīḍa-yojanam, setting a helmet on the head; (17) nepathya-yogāḥ, putting on apparel in a dressing room; (18) karṇa-patra-bhaṅgāḥ, decorating the earlobe; (19) sugandha-yuktiḥ, applying aromatics; (20) bhūṣaṇa-yojanam, decorating with jewelry; (21) aindrajālam, jugglery; (22) kaucumāra-yogaḥ, the art of disguise; (23) hasta-lāghavam, sleight of hand; (24) citra-śākāpūpa-bhakṣya-vikāra-kriyaḥ, preparing varieties of salad, bread, cake and other delicious food; (25) pānaka-rasa-rāgāsava-yojanam, preparing palatable drinks and tinging draughts with red color; (26) sūcī-vāya-karma, needlework and weaving; (27) sūtra-krīḍā, making puppets dance by manipulating thin threads; (28) vīṇā-ḍamarukavādyāni, playing on a lute and a small x-shaped drum; (29) prahelikā, making and solving riddles; (29a) pratimālā, capping verses, or reciting poems verse for verse as a trial of memory or skill; (30) durvacaka-yogāḥ, uttering statements difficult for others to answer; (31) pustaka-vācanam, reciting books; and (32) nāṭikākhyāyikā-darśanam, enacting short plays and writing anecdotes. Kṛṣṇa and Balarāma also learned (33) kāvya-samasyā-pūraṇam, solving enigmatic verses; (34) paṭṭikā-vetra-bāṇa-vikalpāḥ, making a bow from a strip of cloth and a stick; (35) tarku-karma, spinning with a spindle; (36) takṣaṇam, carpentry; (37) vāstu-vidyā, architecture; (38) raupya-ratna-parīkṣā, testing silver and jewels; (39) dhātu-vādaḥ, metallurgy; (40) maṇi-rāga-jṣānam, tinging jewels with various colors; (41) ākara-jṣānam, mineralogy; (42) vṛkṣāyur-veda-yogāḥ, herbal medicine; (43) meṣa-kukkuṭa-lāvaka-yuddha-vidhiḥ, the art of training and engaging rams, cocks and quails in fighting; (44) śuka-śārikā-pralāpanam, knowledge of how to train male and female parrots to speak and to answer the questions of human beings; (45) utsādanam, healing a person with ointments; (46) keśa-mārjana-kauśalam, hairdressing; (47) akṣara-muṣṭikā-kathanam, telling what is written in a book without seeing it, and telling what is hidden in another’s fist; (48) mlecchita-kutarka-vikalpāḥ, fabricating barbarous or foreign sophistry; (49) deśa-bhāṣā-jṣānam, knowledge of provincial dialects; (50) puṣpa-śakaṭikā-nirmiti-jṣānam, knowledge of how to build toy carts with flowers; (51) yantra-mātṛkā, composing magic squares, arrangements of numbers adding up to the same total in all directions; (52) dhāraṇa-mātṛkā, the use of amulets; (53) saṁvācyam, conversation; (54) mānasī-kāvya-kriyā, composing verses mentally; (55) kriyā-vikalpāḥ, designing a literary work or a medical remedy; (56) chalitaka-yogāḥ, building shrines; (57) abhidhāna-koṣa-cchando-jṣānam, lexicography and the knowledge of poetic meters; (58) vastra-gopanam, disguising one kind of cloth to look like another; (59) dyūta-viśeṣam, knowledge of various forms of gambling; (so) ākarṣa-krīḍa, playing dice; (61) bālaka-krīḍanakam, playing with children’s toys; (62) vaināyikī vidyā, enforcing discipline by mystic power; (63) vaijayikī vidyā, gaining victory; and (64) vaitālikī vidyā, awakening one’s master with music at dawn.

Purport (Visvanatha Cakravarti Thakura)

For details of the sixty four arts one should consult the tantras. The two brothers made their guru take something (chandayam asatuh) saying "Please take as daksina something that you desire." According to the amara kosa, chanda means to have desire.

Purport (Jiva Goswami)

These two verses and the second half of the previous verse should be read together. First they learned the words of the Veda. The meaning is learned by teaching mīmāṁsa. Along with learning the meaning, one must learn other aṅgas in order to chant purely: śikṣā (pronunciation), vyākaraṇa (grammar), kalpa (ritual), jyotiṣa (astrology), chhanda (meter) and nirukti (etymology). These are the aṅgas. Astrology is used to create purity of time. After learning the aṅgas one should learn the Upaniṣads which are secret, first by words alone. After that they learned Dhanur- veda, since it was necessary for kṣatriyas. The meaning of these works was also taught. They then learned dharma-śāstras, since they assist in all knowledge. Then for specialized knowledge they learned the process of discerning the meaning of the Vedas (nyāya). This consists of studying works based on logic which follow the Vedas: authors like Jaimini, Kapila, Patañjali, and Bādarāyaṇa who produced pūrva-mīmāṁsa and other philosophies. Then they studied anvīkṣikī, filled with independent logic in order to defeat those with material philosophies. They then studied political science, when they became qualified for ruling. Studying in this order gives perfection. Sāndīpani taught them the arts for special pleasure. They learned all these sixty-four arts in sixty-four days and nights. The arts are listed by Śrīdhara Svāmī. Their essence will be described. They are as follows. (1) gītam, singing: how to compose songs, using svārajati and rāgas, various rhythms, and perception of elements which nourish or destroy the music. (2) vādyam, playing on musical instruments of four types, using rāgas, tālas as with singing. This will apply to other arts as well. (3) nṛtyam, dancing; (4) nāṭyam, drama; (5) ālekhyam, painting; (6) viśeṣaka-cchedyam, painting the face and body with colored unguents and cosmetics; (7) taṇḍula-kusuma-bali-vikārāḥ, preparing auspicious designs on the floor with rice and flowers used in worship; (8) puṣpāstaraṇam, making a bed of flowers; (9) daśana-vasanāṅga-rāgāḥ, coloring one’s teeth, clothes and limbs; (10) maṇi-bhūmikā-karma, inlaying a floor with jewels, as in the hall made by Maya for the Pāṇḍavas; (11) śayyā-racanam, making beds; (12) udaka-vādyam, ringing waterpots or making music in vessels established in water bodies; (13) udaka-ghātaḥ, the art of solidifying water; (14) citra-yogāḥ, methods of displaying amazing feats; (15) mālya-grathana-vikalpāḥ, preparing garlands; (16) śekharāpīḍa-yojanam, setting a helmet on the head; (17) nepathya-yogāḥ, putting on apparel in a dressing room; (18) karṇa-patra-bhaṅgāḥ, decorating the earlobe; (19) sugandha-yuktiḥ, applying perfumes; (20) bhūṣaṇa-yojanam, decorating with jewelry; (21) aindrajālam, magic; (22) kaucumāra-yogaḥ, the art of disguise; (23) hasta-lāghavam, sleight of hand; (24) citra-śākāpūpa-bhakṣya-vikāra-kriyaḥ, preparing varieties of vegetables, cake and other delicious food; (25) pānaka-rasa-rāgāsava-yojanam, preparing palatable drinks of various colors and preparing liquors; (26) sūcī-vāya-karma, needlework and weaving; (27) sūtra-krīḍā, making puppets dance by manipulating thin threads; ( (28) prahelikā, making puzzles with hidden meanings; (29) pratimālā, creating imitations of articles; (30) durvacaka-yogāḥ, uttering statements difficult for others to express; (31) pustaka-vācanam, quickily producing and speaking descriptions that do not exist; (32) nāṭikākhyāyikā-darśanam, knowledge of the scriptures on dramatic performance and writing them as well; (33) kāvya-samasyā-pūraṇam, completing verses whose portions are abbreviated or enigmatic, difficult to complete immediately, by substituting portions of the verse with another portion; (34) paṭṭikā-vetra-bāṇa-vikalpāḥ, making arrows and whips from flattened threads; (35) tarku-karma, spinning with a spindle; (36) takṣaṇam, carpentry; (37) vāstu-vidyā, preparing the ground and building houses; (38) raupya-ratna-parīkṣā, understanding real and fake silver and jewels; (39) dhātu-vādaḥ, producing metals like gold; (40) maṇi-rāga-jñānam, changing the color of jewels; (41) ākara-jñānam, detecting presence of jewels by looking at the earth; (42) vṛkṣāyur-veda-yogāḥ, herbal medicine; (43) meṣa-kukkuṭa-lāvaka-yuddha-vidhiḥ, the art of training and engaging rams, cocks and quails in fighting; (44) śuka-śārikā-pralāpanam, knowledge of how to train male and female parrots to speak; (45) utsādanam, giving up attachment to another person by using mantra; (46) keśa-mārjana-kauśalam, hairdressing; (47) akṣara-muṣṭikā-kathanam, telling what is what is hidden in another’s fist; (48) mlecchita-kutarka-vikalpāḥ, knowledge of various foreign languages, their conditions and scriptures; (49) deśa-bhāṣā-jñānam, knowledge of provincial dialects; (50) puṣpa-śakaṭikā-nirmiti-jñānam, knowledge of how to build toy carts with flowers; (51) yantra-mātṛkā, composing magic squares, arrangements of numbers adding up to the same total in all directions; (52) dhāraṇa-mātṛkā, the use of amulets; (53) saṁpāṭyam, cutting diamonds and other gems; (54) mānasī-kāvya-kriyā, composing verses which read other’s thoughts; (55) kriyā-vikalpāḥ, accomplishing in various ways one particular act; (56) chalitaka-yogāḥ, methods of cheating others; (57) abhidhāna-koṣa-cchando-jñānam, lexicography and the knowledge of poetic meters; (58) vastra-gopanam, making cotton cloth appear to be silk; (59) dyūta-viśeṣam, knowledge of various forms of gambling; (6o) ākarṣa-krīḍa, bringing close objects of play situated far away; (61) bālaka-krīḍanakam, playing with children; (62) vaināyikī vidyā, training elephants and horses; (63) vaijayikī vidyā, various methods of foretelling victory; and (64) vaitālikī vidyā, art of praising. Some of these arts are mentioned in the Kalpa-saṁhitā. An intelligent person can learn of these topics in one day and night. Other siddhis are mentioned such as knowing others’ thoughts, seeing or hearing at a great distance, and making potions from gems. Another meaning is that they learned all the sixty-four arts and the Vedas in sixty-four days and nights. Viṣṇu Purāṇa says: sarahasyaṁ dhanur-vedaṁ sa-saṁgraham adhīyatām / aho-rātraiś catuḥ-ṣaṣṭyā tad adbhutam abhūd dvūja // O brāhmaṇa! It is astonishing that in sixty-four days and nights they learned the Dhanur-veda and all other works. Hari-vaṁśa says: tau ca śrutidharau vīrau yathāvat pratipadyatām / ahorātraiś catuḥṣaṣṭyā sāṅgaṁ vedam adhīyatām // The two boys with full retention of memory, learned all the Vedas and their aṅgas in sixty-four days and nights.

Purport (Sanatana Goswami)

Or they were the initiators of all knowledge. To teach others only they made an appearance of learning. O king! Śukadeva expresses joy because they learned quickly, and would serve their guru at completion of their studies. They studied even during the night. They learned the Vedas while following the rules with service to guru (saṁyattau) in sixty-four days and other subjects in several more days and nights. Or this verse explains the previous that they learned in a few days. Some kalās are kalpa-saṁhitās. One of them can be learned in one day and night, but in a general way only. Other kalās are more complex works. Or all the kalās were mastered in sixty-four days and nights. sarahasyaṁ dhanur-vedaṁ sa-saṁgraham adhīyatām / aho-rātraiś catuḥ-ṣaṣṭyā tad adbhutam abhūd dvūja // O brāhmaṇa! It is astonishing that in sixty-four days and nights they learned the Dhanur-veda and all other works. Viṣṇu Purāṇa tau ca śrutidharau vīrau yathāvat pratipadyatām / ahorātraiś catuḥṣaṣṭyā sāṅgaṁ vedam adhīyatām // The two boys with full retention of memory, learned all the Vedas and their aṅgas in sixty-four days and nights. Hari-vaṁśa They offered him a donation, though he did not want it. O king! Śukadeva exclaims in astonishment.